https://mashineinc.net Prima Facie Poslednja Igranja Wed, 04 Feb 2026 17:47:12 +0000 https://mashineinc.net en http://mashineinc.net/OLIVER-CENOVNIK Wed, 04 Feb 2026 17:47:12 +0000 Prima Facie Poslednja Igranja 459061 <img width="4250" height="5500" width_o="4250" height_o="5500" src_o="https://cortex.persona.co/t/original/i/e476b3944e6f95619ca56a0ca6e2a7528297201267da85fb4a0651199159b698/OLIVER-CENOVNIK-2026---ZA-QR-CODE.jpg" data-mid="1431224" border="0" /><img width="4250" height="5500" width_o="4250" height_o="5500" src_o="https://cortex.persona.co/t/original/i/fd0535c479caa459b022d58dc7b1ea796cc58867bec50ffe9513a254698ca543/OLIVER-CENOVNIK-2026---ZA-QR-CODE-2.jpg" data-mid="1431225" border="0" /><img width="4250" height="5500" width_o="4250" height_o="5500" src_o="https://cortex.persona.co/t/original/i/810809fa66bb0e6deb58e2f2afeb797e864f8a2a32a488c967e828f62397149b/OLIVER-CENOVNIK-2026---ZA-QR-CODE-3.jpg" data-mid="1431223" border="0" /><img width="4250" height="5500" width_o="4250" height_o="5500" src_o="https://cortex.persona.co/t/original/i/52791a0983523bc0c601e7444f3b3d3e77e44eb752c6d410759bd315361a4f0d/OLIVER-CENOVNIK-2026---ZA-QR-CODE-4.jpg" data-mid="1431222" border="0" /> http://mashineinc.net/Fotografije-iz-Predstave Fri, 11 Oct 2024 04:36:05 +0000 Prima Facie Poslednja Igranja 454509 <img width="2000" height="1326" width_o="2000" height_o="1326" src_o="https://cortex.persona.co/t/original/i/96d318a31079bd33ec2618aa891bf904d66de7497276f72b2f046389669d7dfd/200001830007.jpg" data-mid="1435347" border="0" /> <img width="2000" height="1326" width_o="2000" height_o="1326" src_o="https://cortex.persona.co/t/original/i/b740d845a2bfb79a18752c1649f8eb62c094538a4a8714043f949ea0791c7024/200001830008.jpg" data-mid="1435348" border="0" /><img width="2000" height="1326" width_o="2000" height_o="1326" src_o="https://cortex.persona.co/t/original/i/7c0ff8dca3125abf3a5bb894bd805c059cbf1f3586f972bcbf50df4a9f968d6a/200001830002.jpg" data-mid="1435350" border="0" /><img width="2000" height="1326" width_o="2000" height_o="1326" src_o="https://cortex.persona.co/t/original/i/2b46742c2fb3b836e835bd3439a30688286e3aa60bb97551d7aa49f00e91752a/Marija-Mitric-2-2.jpg" data-mid="1435349" border="0" />Fotografije: Marija Mitrić Fotografije: Marija Mitrić http://mashineinc.net/ABOUT Thu, 01 Oct 2020 08:30:37 +0000 Prima Facie Poslednja Igranja 386066 (prima facie) Masha Dakich Born in Serbia, Masha’s path to finally settling in New York was anything but ordinary. During the bombing of her country, on her first trip to the city, a chance meeting with a woman of Serbian origin led to Masha attending Ethical Culture Fieldston High School (Bronx, NY) on special admission. After half a dozen months—just as she was beginning to grasp American expressions—she chose to return home, enrolling in the regionally renowned Academy of Dramatic Arts, where she ranked top three out of over 600 applicants. To translate her career path: her first role was in a hit show—an Off-Broadway equivalent—directed by one of the most prolific theater directors of the time. The production ran for ten years, and her effervescent appearance on the stage of Yugoslav Drama Theatre was “unforgettable”. As Serbian theater operates on a repertory system, she quickly took on a range of roles, including the immediate lead in Beauty and the Beast, Wendla in Spring Awakening, and an effortless portrayal of the unbearable 12-year-old Alegra in the long-running hit Locusts (over 200 performances), which took her on her first European tour. Performing in Zagreb at age 26, previously unknown to regional audiences, she impressed critics, one of whom wrote: “As if a real actress, young girl Masha Dakic stood shoulder-to-shoulder with giants of Yugoslav theater”—still one of her favorite reviews to date. In her “downtime”, Masha became something of a “franchise princess” in voice-over, voicing Serbian versions of Vanellope von Schweetz (Wreck-It Ralph), Peaches (Ice Age), Candace (Phineas and Ferb), Strawberry Shortcake, and Smurfette—becoming a leading artist in the field. After taking a year to study at the Lee Strasberg Theatre &amp; Film Institute in New York, she returned with refined energy and tools, building strong collaborations, including with Romanian director Alexandru Darie on Pierre de Marivaux’s La Dispute, performed at the World Theatre Festival in Bogotá. She also developed a long-standing creative partnership with director Anja Suša. Together they created four productions, including Maya and I and Maya, a brutal social critique inspired by the hugely popular Belgian children’s book series Martine (Marcel Marlier and Gilbert Delahaye), which toured Poland, Slovenia, and Croatia, introducing Masha to wider audiences. Her “bona fide parade on stage” earned her a trip to the UK. Working in London and Derry, she played Anezka Ungrova in Brian Friel’s Performances, alongside Allan Corduner (Homeland, Topsy-Turvy), directed by Adrian Dunbar (My Left Foot, Line of Duty). Back in Serbia, Masha expanded into production, working with the internationally recognized Tuna Fish Studio. She produced the regional web series #justsaying, centered on the first post-war gathering of multi-ethnic youth from former Yugoslavia. Supported by BBC Media Action, the show won a World Media Award, a Satellite Award, and was a Webby Honoree. A year earlier, she wrote and produced the short film Run Up, featuring Gael García Bernal (Mozart in the Jungle, Y tu mamá también) and four-time Cannes-winning director Emir Kusturica (Underground, Black Cat, White Cat). The film screened at the Tokyo Film Festival, Aesthetica Film Festival (UK), and Miami Film Festival, and came close to selection at Tribeca. Years later, through a serendipitous connection, Masha joined Nancy Lefkowitz’s team within the Tribeca Festival, working in Artist Relations and Special Events and gaining insight into the industry from another angle. Shortly before that, she had moved to New York full-time to be with her husband and their long-standing, in-demand East Village restaurant, Kafana (named among the New York Times’ 100 Best Restaurants). She lives there with her (still) husband and their menace of a dog, Tzane. Just as it seemed she might settle into life as a maître d’, Masha was invited back to Serbia to play Debra in a local adaptation of Everybody Loves Raymond. Over the equivalent of three U.S. seasons, her performing instincts reignited. The show brought her a level of public recognition she hadn’t experienced through theater alone, shifting her position in the public eye. Seizing the moment, in January 2024 she premiered as Tessa Ensler, in a sold-out, critically acclaimed production of Prima Facie, which she also produced. Returning to the stage after a ten-year hiatus, she performed alone for 100 minutes straight, earning praise for her “incredible capacities”, “whirlwind speed”, and “a shot of mastery”. She was awarded the prestigious Miloš Žutić Award—the Serbian equivalent of a Tony for her captivating performance. Beyond critical acclaim, Masha received the Victimology Society Annual Award for Advancement of Victims’ Rights. Through Prima Facie, she engaged courts, judges, lawyers, law students, and human rights organizations in post-show discussions across smaller cities, also performing for deaf audiences and supporting organizations focused on women’s rights in cases of sexual assault. As she continues to reshape Serbian creative spaces, Masha is now ready to step onto one of the world’s most sought-after stages. She is currently seeking representation in New York—someone who can help guide her “foreign” identity and shape the next phase of her career in the U.S. She is beyond excited to take part in Servane Dècle and Milo Rau’s Pelicot Trial at NYU Skirball this March.Photos courtesy of Monika Pavlović for Dragana Ognjenović. (prima facie) Masha Dakich Born in Serbia, Masha’s path to finally settling in New York was anything but ordinary. During the bombing of her country, on her... http://mashineinc.net/LOCATION-HOURS Thu, 01 Oct 2020 08:30:31 +0000 Prima Facie Poslednja Igranja 386065 (HOME)  HI, YOU’VE REACHED (K A F A N A). WE ARE LOCATED AT&nbsp;116 AVENUE C&nbsp;BETWEEN 7TH AND 8TH STREET. OPEN FOR OUTDOOR AND INDOOR DINING, PICK-UP AND DELIVERIES, SEVEN DAYS A WEEK: MONDAY - FRIDAY 5PM - 11PMSATURDAY + SUNDAY 12PM - 12AM© Since May, 2008 — Owned by Vladimir OcokoljićCouldn’t fully operate without Tijana, Miodrag, Lika, Dimitrije, Edgar, Luis, Ivan, Manuel, Maša &amp; co. (HOME)  HI, YOU’VE REACHED (K A F A N A). WE ARE LOCATED AT&nbsp;116 AVENUE C&nbsp;BETWEEN 7TH AND 8TH STREET. OPEN FOR OUTDOOR AND INDOOR DINING, PICK-UP... http://mashineinc.net/RESERVATIONS Thu, 01 Oct 2020 08:30:24 +0000 Prima Facie Poslednja Igranja 386064 (HOME)&nbsp; THE BEST WAY TO MAKE A RESERVATION IS TO CALL US.&nbsp;(212.353.8000) LEAVE A BRIEF&nbsp; MESSAGE&nbsp; WITH YOUR NAME AND NUMBER,&nbsp;AND WE’LL GET BACK TO YOU VERY SOON.&nbsp; LIVE MUSIC AND INDOOR SEATING&nbsp; INQUIRIES ARE BY PHONE ONLY, OTHERWISE YOU CAN USE OUR&nbsp;(O P E N&nbsp; &nbsp;T A B L E). FOR PARTIES OF 6 OR MORE PLEASE TAKE A LOOK AT THE&nbsp;(P R I X&nbsp; &nbsp;F I X E&nbsp; &nbsp;M E N U). (HOME)&nbsp; THE BEST WAY TO MAKE A RESERVATION IS TO CALL US.&nbsp;(212.353.8000) LEAVE A BRIEF&nbsp; MESSAGE&nbsp; WITH YOUR NAME AND NUMBER,&nbsp;AND... http://mashineinc.net/Home-Page Mon, 25 May 2020 04:12:51 +0000 Prima Facie Poslednja Igranja 368652 MASHINEINC / Predstavlja  &nbsp; Intervju.  &nbsp; Fotografije iz predstave. СУЗИ МИЛЕР PRIMA FACIE:глобални феномен позоришта промене&nbsp; Prima Facie je predstava koja na efektan i zabavan način, furiozno prikazuje veličanstvenost i urušenje pravosudnog sistema prateći samo jednu ženu. KARTE se mogu kupiti na biletarnici pozorišta i putem online prodaje. ТРЕНУТНО НЕМА НАЈАВЉЕНИХ ИЗВОЂЕЊА. БИТЕФ ТЕАТАР -МАЕСТРАЛНО!“Neverovatan kapacitet Maše Dakić.”&nbsp; ”Право мало мајсторство!” - SMEH STRAH TENZIJA I SUZE “Katarza je pomerena van predstave, unutar aplauza koji traje gotovo deset minuta.”&nbsp; Претпремијера 25. Јануар 2024.Хуманитарно играње за добробит Виктимолошког Друштва Србије ПРЕМИЈЕРА: &nbsp; 26. Јануар, 2024. &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;BITEF TEATARРЕЖИЈА: &nbsp; &nbsp; &nbsp;АЊА СУША ИЗВОЂЕЊЕ: &nbsp;&nbsp; МАШA ДАКИЋ ЦЕЛОКУПНИ ТИМ Tekst: Suzi MilerPrevod: Biljana PopmijatovRežija: Anja SušaIzvođenje: Maša DakićKostim: Maja MirkovićScenografija: Marija MitrićScenski pokret: Damjan Kecojević Dizajn svetla: Aljoša DakićKompozicija muzike: Adde HuumonenSufleri: Gordana Perovski, Marija Stojić, Goran Mladenović i Maja IljićMajstor tona: Miroljub VladićMajstori svetla: Dragan Đurković, Igor MilenkovićIzvršna produkcija: Olivera Kecojević Producenti:Maša Dakić i Vladimir OcokoljićStručne saradnice: Mirjana Milović, Prof. Dr. Vanja BajovićSupervizor projekta: Milena GarfieldMarketing konsultanti: Zdenka Milanović, Ratko RakinDizajn materijala: Slavimir Stojanović Poster fotografija: Aleksandar Jovanović Animacija: Demagog StudioObezbeđenje: Gavrilo Andrić, Miroslav Radovanović, Marko Tadić, Miroslav Zajić Direktor Bitef teatra: Miloš LatinovićPomoćnik direktora: Ksenija ĐurovićProducent: Milan LjubićPR menadžerka: Slavica HinićSocial media menadžerka: Mila JovanovićŠef scene: Ljubomir RadivojevićInspicijentkinja: Maja Jovanović Posebno hvala: Gordana Goncić, Milan Miladinović, Kosta Glušica, Nevena Glušica, Milena Moravčević, Julija Castellucci, Hristina Marković, Demagog Studio, Marko Krunić, Sanja Rolović, Vojimir Kurtić i Vladimir Ocokoljić. POKROVITELJI PREDSTAVE • BDK Advokati• Moravčević Vojnović i Partneri • Advokatska Kancelarija Golubović Simić Marinković • Advokati Naumović i Partneri • Four Legal• Advokatska kancelarija Temerin - Mirjana Milović • Raiffeisen Banka • Delta Holding • Salon Lepote Life, etc. • Kancelarija za rodnu ravnopravnost • Forma Ideale • Alma Quattro • Big Print • Futro Design Ovaj projekat dobio je podršku od strane Švajcarske vlade, u okviru projekta "Kultura za demokratiju”, koju sprovodi Hartefakt fond. Produkciju predstave pomoglo je preko 100 individualnih donatora u sklopu GoFund Me kampanje. “Pozornica se pretvara u neku vrstu striptiz kluba za advokate, ogoljujući pravdu pred našim očima i zalažući se za radikalnu reformu pravnog postupka u slučajevima seksualnog nasilja.” “Вртоглава брзина!” MAŠA DAKIĆ DOBITNIK JE GODIŠNJE NAGRADE VIKTIMOLOŠKOG DRUŠTVA SRBIJE ZA DOPRINOS UNAPREĐENJU PRAVA ŽRTAVA, KAO I PRESTIŽNE POZORIŠNE NAGRADE MILOŠ ŽUTIĆ KOJU DODELJUJE UDRUŽENJE DRAMSKIH UMETNIKA ZA NAJBOLJE GLUMAČKO OSTVARENJE U PROTEKLOJ SEZONI NA SVIM SCENAMA.&nbsp; MASHINEINC / Predstavlja  &nbsp; Intervju.  &nbsp; Fotografije iz predstave. СУЗИ МИЛЕР PRIMA FACIE:глобални феномен...